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The Synth-Pop Duo's Creative Genius Dave Ball Dies, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) created Soft Cell alongside Marc Almond at Leeds in 1977

The talented musician, a key member of the innovative 1980s synth-pop duo Soft Cell, has died at the age of 66.

Alongside vocalist Marc Almond, the duo achieved a global success with their cover of Gloria Jones' Tainted Love in the mid-80s, and their first record their initial full-length release is regarded as a seminal work of electronic music.

He subsequently formed the pioneering electronic act The Grid, who secured chart success with their 1994 single the hit Swamp Thing.

Ball passed away calmly in his rest at his home in London on Wednesday 22 October, just weeks after playing a featured performance with Soft Cell at the Rewind music event in the Thames-side town.

Recent Health Challenges

During that show, Ball appeared in a mobility chair, as he had for the last two years, after a spate of ill-health.

"I ended up injure myself quite a bit," he stated in 2023. "I broke spinal bones in my back and cracked about five ribs and broke my wrist."

After catching a lung infection and developing sepsis, he was placed in an medically-induced sleep and stayed in hospital for half a year.

Nevertheless, he had been in "high spirits mentally" over the warmer months, as he was developing a fresh record with Almond, titled Danceteria, which is scheduled for release in the coming year.

"He was focused and so happy with the new album that we literally finished only a short time ago," said the singer in a heartfelt message.
"It's truly heartbreaking as 2026 was completely planned to be such an positive year for him, and I find comfort from the fact that he listened to the completed album and believed that it was a masterpiece."
Soft Cell performing in the early 1980s
The band were at the forefront of the electronic music scene in the beginning of the decade

Heartfelt Messages

Almond described his collaborator as "an exceptionally talented creative mastermind", adding: "He was the heart and soul of Soft Cell and I'm very proud of our legacy.

"Thank you Dave for being an significant part of my life and for the music you gave me. I wouldn't be where I am without you."

His Grid bandmate from The Grid, also paid tribute, remembering Ball's "constant humor" and "steadfast support".

"Forming a partnership with someone is distinct from joining a group, the connection is very tight," he continued.
"That's how it was with us. We went through so many remarkable, incredible, memorable moments as a team. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, photographed at BBC Radio 2 in recent years

Early Life

Brought into the world into a one-parent family in Chester in the late 50s, Ball was put up for adoption when he was a year and a half of age.

He was raised in the seaside town with his new family Donald and Brenda Ball, who changed his given name from his birth name to his adopted name, together with his sibling Susan, who was also adopted.

He met Almond at an art college in 1977, where they were both studying fine arts. Fuelled by a mutual passion of a music genre, they established Soft Cell the same year, and promptly recorded an EP.

Musical Partnership

The pair were an distinctive combination: Ball was the quiet technician, hunched over his keyboard, while Almond was a charismatic showman, all glitter and eye-liner; but they achieved a rare musical alchemy.

Ball had cultivated a fascination with synthesizers after viewing the band Kraftwerk appear on a television program Tomorrow's World, and started to marry moody electronic sounds to the soaring melodies Almond was composing.

Tainted Love became the UK's second biggest-selling song of 1981, selling 21 million units worldwide. Together with successful tracks by other artists, Human League and electronic acts, it helped cleared the path for the electronic music style of the 80s.

The track was also featured on their first album, their initial LP, which produced two additional high-charting hits: Bedsitter and Say Hello, Wave Goodbye.

They continued the record up with the separate release, Torch, which reached at the second position in the following year.

Soft Cell in the studio
The pair were working on new material right up until Ball's death

Professional Journey

Success had its benefits. "I enjoyed being able to afford my first home, having financial security and exploring, which makes me sound like a Miss World," Ball recently shared with a publication.

But it also caused problems. "Newfound wealth meant we could purchase newfound drugs to alleviate the boredom" of press appearances and TV performances, Ball said.

"I know that's a cliché, but it's a truism for a good reason, because it applies for so many musicians."

Amidst the party-filled existence, the pair were also growing distant, but they managed to create a follow-up classic album - the unconventional, tense and aptly-titled The Art Of Falling Apart.

They released another LP, their 1984 release This Last Night In Sodom, before dissolving the band to focus on other projects.

Almond went on to have a successful individual path, including the top 10 hit Something's Got A Hold Of My Heart; while Ball created The Grid, who mixed dance music with melodic sounds over a enduring collaboration.

Reunions and Final Projects

Soft Cell reunited in 2001, producing the charting album Cruelty Without Beauty.

Following another break, they reappeared in recent years, issuing the original singles Northern Lights and Guilty (Cos I Say You Are) before performing what was intended to be a farewell show at the large venue on 30 September, 2018.

However, they remained active, recording their fifth album, Happiness Not Included, during the pandemic Covid lockdown.

Ball lately characterized the band's new album as a homage to the NYC nightlife they visited while making their initial records.

He added that his period in medical care had shaped the group's music.

"I had unusual memories when I was coming and going of hospital because I was on pain medication," he explained to a music magazine.
"Our latest tracks are a digital reflection of the noises in my head from those days.
"Simultaneously, it's about the times me and Marc had in the 80s."

The final mixes were completed only days before Ball died. It is scheduled for release in the spring of 2026.

By

Frederick Snyder

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